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I can remember virtually nothing of these sessions. Satanic Majesties … was all a bit of flim-flam to me.īasically I thought the album was a load of crap. Most critics branded the album a sad, ill-conceived, druggy attempt to reply to The Beatles’ Sergeant Pepper – and John Lennon was among those who disliked it. Though Keith likes the album better than he once did, it still mainly evokes indecision, compromise and almost terminal boredom. The Stones themselves consider Their Satanic Majesties Request the lowest of low points in their career. Stephen Davis: Old Gods Almost Dead: The 40 Year Odyssey of The Rolling Stones 2001
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Even the band slagged it, Mick describing it on a London TV show as ‘a bunch of dirgy toe-tappers.’ In the press, it was routinely attacked as pretentious and a terrible mistake, slavishly imitative of The Beatles. Their Satanic Majesties received the worst reviews of the Stones career, but still shifted half a million units by Christmas. (Keith Altham, New Musical Express, 2 December 1967) I expect to see the critics call it everything from ‘brilliant’ to ‘nonsense.’ You must make up your mind. Keith Altham’s enthusiastic New Musical Express review was written after listening to it in the same room as Mick Jagger:
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If unsophisticated pop fans don’t like it, well, too bad. If hippies are impressed, well that’s nice. (“What could possibly go wrong? 10 disastrous albums that shook their creators to the core.” Mojo, April 2000) He too successfully appealed against a jail term, but a psychiatrist diagnosed him as “anxious, depressed and potentially suicidal.” He might well have been reviewing this album. As in an amateur theatrical production in which actors forget their lines, the scenery falls down and the producer has a heart attack, one must try to consider the positive aspects.īrian Jones was fading fast. That any finished album at all emerged seems miraculous.
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To be fair, no record album ever has suffered the handicap of having its three main musicians variously on trial and in prison … nor had to contend with the 1001 incidental conflicts and vexations which beset The Stones during their ten month labour to produce music betokening love, peace and flower-garlanded happiness. (Dave Marsh, The Rolling Stone Record Guide, 1979) Doing so by fuzzing up some pretty good songs with tape loops and early synthesiser experiments is unforgivable. The idea of making a truly druggy answer to the cherubic joyousness of The Beatles Sgt. Satanic Majesties is a bad idea gone wrong. T he Stones have been caught up in the familiar dilemma of mistaking the new for the advanced … The album is marred by poor production … with the shift in pose to something nearly “arty”, the weak guitars and confused balance merely become annoying … it is an identity crisis of the first order and one that will have to be resolved more satisfactorily … if their music is to continue to grow. Probably no pop record before or since was so eagerly awaited, or so stunning a disappointment. The title was the third, replacing The Rolling Stone’s Cosmic Christmas and Her Satanic Majesty Requests. The album made #2 in the USA and #3 in Britain. John Paul Jones – string arrangement on “She’s a Rainbow” Nicky Hopkins – piano, organ, harpsichord There are no sleeve notes.īill Wyman – bass, lead vocal on “In Another Land”īrian Jones – guitar, Electric dulcimer, Moroccan drums, percussion, Mellotron “Songs and singing by Mick Jagger and Keith Richards (“In Another Land” written and sung by Bill Wyman)” is what it says on the cover. Sing This All Together (See What Happens) Music From Big Pink: The Band: 50th Anniversary edition.Latest Record Project volume 1 – Van Morrison.Recall The Beginning – A Journey From Eden.Bawdy ballads, lewd lyrics, rugby songs and folk.The 60s: Dancing bands and watching bands.Pye International … sleeves and centres.Badge engineering: labels and sub-labels.EPs: the charts, Cliff Richard and The Shadows.